Blanks

Seven bodies, chosen rather than listed

This is not a catalogue of everything a wholesaler carries. It is the short list of garments our own transfers press well onto, kept in stock so that one order covers the film and the shirt.

The Gildan 3000 is the everyday tee and the default for most jobs. The 64000 softstyle is lighter and drapes better, which is what boutique customers usually mean when they say the shirt feels cheap. The Comfort Colors 1717 is garment-dyed and heavier, and the same design on it reads as a higher-priced product. The 2400 long sleeve, 18000 crewneck and 18500 pullover hoodie cover the colder two-thirds of the year here, and the 8800 jersey polo covers the orders nobody enjoys but everybody eventually places.

The blank decides half of it

A design is only as good as what it sits on. Film behaves differently across fabrics: cotton is forgiving, the garment-dyed body takes a slightly different setting, and the polo's jersey knit wants attention on alignment because there is no flat chest to line up against. Heather and sand grounds change how a colour reads — a dusty pink stays dusty on a natural tee and disappears on white.

If the finished look matters more than the saving, our printed-and-pressed version of the same bodies removes the variable entirely.

Buying blanks and film together

Blanks are picked and packed alongside the print run, so the transfer and the garment arrive together. They travel on their own shipping rate, because a hoodie does not go in a flat mailer — the rates are published rather than discovered at checkout.

For a run of more than a few pieces, put the designs on a single sheet of film and press them onto these yourself; that combination is the lowest cost per finished garment available here.